The Insider
April 8-13, 2024
April 8-13, 2024
Time
April 8. – 11. at 7:30 PM
(Friday) April 12, at 4:30 PM
(Saturaday) April 13, at 4:30 PM
Duration
65 minutes
Venue
BlackBox at Theatre Katapult
PRICES INCL. FEES
Standard 230,-
Group min. 10 175,-
Seniors (65+) 175,-
Students 120,-
Below 25 years 90,-
Below 25 years (group min. 10) 75,-
Award-winner
of The Scotsman’s Fringe First Award
After huge success at the world’s biggest cultural festival, the Edinburgh Fringe, where THE INSIDER won the prestigious The Scotsman’s Fringe First Award, it now returns to Theatre Katapult in Aarhus, before going on to Korea.
Look into the human face of greed
Get inside the frontal lobes of a young financier who helped devise the world’s biggest robbery of the treasuries of the European states amounting to more than 53 billion Euro!
The international succes THE INSIDER is based on the german state’s crown witness in the real international case of dividend tax fraud. It is told through a young family father and tax lawyer in one of the world’s largest banks. You’ll join him from his starting point as an ambitious freshman with an ingenious interpretation of the tax laws, leading to a bloodbath of state-treasury-looting … At some point he decides to switch sides and help the police catch an extensive network of criminal accomplices. A network of people instrumentalising the criminal methods sucking at least 53 billion Euro out of European treasuries … a network affiliated with some of the world’s largest banks.
With headphones on throughout the performance, you’ll experience the insider live on stage inside your head – with 3D sound (binaural sound), cinematic sound and multiple characters in your ears. Topped with video design and music you get a mindful and sensual experience about predators hunting the money paying for your welfare! It is about deception, genius, greed and the cum-ex tax scam!
”If the poor die then the rich die too.”
Læs om INSIDEREN på dansk
NB! Flashing lights and smoke are used in THE INSIDER
Reviews
⭐⭐⭐⭐ ”Thrilling. Excellent Show. Compelling to watch.” (Financial Times) ⭐⭐⭐⭐ ”It would be a crime to avoid a play that manages to create so specific and unique a vision” (British Theatre Guide) ⭐⭐⭐⭐ ”This is urgent theatre. Vital work about corruption. Exposes both human and systematic wickedness.” (The List) ⭐⭐⭐⭐⭐ (Liam Rudden’s Must See Theatre) ⭐⭐⭐⭐⭐ “Exceptional” (Mervyn Stutter’s Pick of The Fringe) ⭐⭐⭐⭐⭐⭐ (Kulturkongen.dk) ⭐⭐⭐⭐⭐ “Mindful and sensual.” (Ungt Teaterblod) ⭐⭐⭐⭐⭐ “Gifted, socially engaged performance.” (Kulturkupeen.dk) ⭐⭐⭐⭐⭐ “Innovative and exciting.” (Scenekanten.com) ⭐⭐⭐⭐ (Sceneblog.dk) ⭐⭐⭐⭐ (Den 4. Væg) ⭐⭐⭐⭐ (Iscene.dk) ⭐⭐⭐⭐ “Successful interaction between 3D-sound and live theater.” (Århus Stiftstidende)
Award: The Scotsman’s Fringe First Award
Nominations: The Offies 2023 OffFest Award // Holden Street Theatres’ Edinburgh Fringe Award 2023 // Finalist The International Fringe Encore Series; Soho Playhouse, New York 2023/24
”Christoffer Hvidbjerg Rønje like a werewolf in a suit. When he takes off his jacket and white shirt, he transforms into a wild animal, banging against the window that separates him from us. It is the window that saves us, otherwise he would have pounced on us. He is a wild animal that devours its surroundings.”
– Michael Svennevig